who it is
Justin Phillip Reed is an American poet living in St. Louis. His first full-length collection of poems, Indecency, is forthcoming from Coffee House Press in 2018. His work appears in African American Review, Best American Essays, Callaloo, The Kenyon Review, Obsidian, and elsewhere. He is a Cave Canem fellow and the author of the chapbook A History of Flamboyance (YesYes Books, 2016). A three-time high school expellee and an ex-college dropout, he received his BA in English at Tusculum College and his MFA in poetry at Washington University in St. Louis, where he served as Jr. Writer-in-Residence. Reed was born and raised in South Carolina.
what it do
"More than their beauty, what the poems of A HISTORY OF FLAMBOYANCE flaunt is their insistence, a restless and, finally, necessary intellectual rigor that demands as much from the reader as it will delight and trouble her. But don't be tricked in thinking these are consequently too-stiffened poems, lacking blood. There's blood moving in every line of Reed's poems, and there's nerve, which is only to say that here is also honest if sometimes painful feeling, vulnerability articulated with power. If these poems are confessions, then Reed's many formal interventions mean to break up, down or apart, reveal and revise, perhaps, the performance of those confessions, an effort to expose their inner makings, motives, our histories, these 'constructed rituals' of shame and desire. I'd say this fits a mind that seems at turns insatiable, wanting more of our world and of the poem; at other times more reserved, wanting less; but at all times is a mind nevertheless committed to the poem's queerest possibility, evoking its many traditions just as it disrupts or rewrites them. So these poems teach me. Justin Phillip Reed is a productive new voice in contemporary poetry, 'rose up like a hard new fact,' and one that feels in every way as irrefutable."
— Rickey Laurentiis, author of Boy With Thorn
"Satisfying and revelatory confessional marked by an aching fury to revise the exclusionary narratives of creation."
— Neyat Yohannes, for Vagabond City Lit
"His gods are the idea of god translated onto men and memories he loves or beds or worships or all of the above."
— Kimberly Ann Southwick, for Ploughshares Blog
"Justin Phillip Reed is a voice worth hearing, the world a bigger and better place because of it."
Breakwater Review "Blackguard" & 1 more
Boston Review "The Personal Animal"
selected for Bettering American Poetry 2016
eleven eleven "Untitled (We aint even posed to be here)" & 1 more
Foundry "When I Was a Man"
joINT. Literary "Performing A Warped Masculinity […]" & 2 more
Lambda Literary "Minotaur"
Nashville Review "Beneficence"
PEN America "The Bastard's Crown" & 1 more
Phantom "Necessary Room" & 1 more
Public Pool "I Must Be Some Kind of Impossible" & 2 more
The Offing "When I Am the Reaper" & 1 more
The Shade Journal "Head of Medusa" & 1 more
The Shallow Ends "When What They Called Us Was Our Name"
Tupelo Quarterly "South Carolina is / shaped like a heart […]"
Vinyl "|p|l|e|a|s|" & 2 more
wildness "When I Had the Haint" & 1 more
Winter Tangerine Review "Open Season"
Yalobusha Review "The Day ______ Died" & 1 more
The Shade Journal Shade of the Week: A Blues A Blues A Blues
Blueshift Journal Feature of the Month
Howlarium Date a Creator
where it been
Conversation Literary Festival, Southern U.S.
Comprising 16 poets of color, this weeklong fellowship program featured readings, workshops, and craft talks hosted in Oxford, MS, Tuscaloosa, AL, and New Orleans, LA.
PARIS IS STILL BURNING, miami
In conjunction with the 2015 Miami Book Festival, this event was coordinated by Neil de la Flor and JV Portela of Reading Queer, held at the Olympia Theater and featured the poets Dawn Lundy Martin, David Tomas Martinez, Justin Phillip Reed, and Danez Smith.
Paris is still burning, minneapolis
This AWP 2015 off-site event was curated by Patricia Smith, held in OOTN, and featured the queer poets of color Jericho Brown, Eduardo C. Corral, Saeed Jones, Rickey Laurentiis, Justin Phillip Reed, Charif Shanahan, Danez Smith, Jayson P. Smith, Phillip B. Williams, and L. Lamar Wilson. The following readings were recorded by Erin Schwartz.